Gestern sah ich Myazakis Gake no ue no Ponyo , der mich zwar nicht in demselben Maß hinfortriss wie seine phantastischen Epen Mononoke-hime oder Sen to Chihiro no kamikakush , sondern ob seiner stärkeren Verwurzelung im japanischen Alltag nur zögerlich and incomplete kidnapped. Nevertheless, I was open as usual the mouth. can the protagonist Ponyo is less a figure than a potential, and how to do it for future reference Sean Cubitt, in a chapter on Emile Cohl :
"Cohl's line is the same one that, a mere thirteen years later, Klee would describe as going for an aimless walk [...]. It is the activity of the line that counts, rather than the end points, Which are Determined after the fact rather than before it, the result of drawing, it's not givens. "
(From: The Cinema Effect , Came Bridge, Massachusetts / London 2004, p. 76.)
"Cohl's line is the same one that, a mere thirteen years later, Klee would describe as going for an aimless walk [...]. It is the activity of the line that counts, rather than the end points, Which are Determined after the fact rather than before it, the result of drawing, it's not givens. "
(From: The Cinema Effect , Came Bridge, Massachusetts / London 2004, p. 76.)
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