Thakur, a Hindu and represents landowners in a small, predominantly Muslim village in Bangladesh, an elite minority. The political father figure of this community, the residents only "Chairman" is established, the concentration of power in the hands of Thakur's an eyesore. The visit of a stranger in possession of a gun that feels neither of the two groups belonging to conjure up past abuses and urged the simmering hatred for the outbreak.
Not only the narrative system by Sadik Ahmed The Last Thakur points toward Western, including the staging of the political conflict in the center of the story is reminiscent of the genre, closer to his Italian, the ancient drama close to diffraction: To explore the historical basis of the conflict, the film takes place with only three larger than life, sometimes mythical characters make a living, that fateful entanglement must end in a bloodbath.
thwarted In an interesting twist The Last Thakur this individualization of politics and are seen that behind it lies a complex web of social relations. Time and again, the film returns to the perspective of a young boy, who commented on the story from the off. At the latest when the boy called his naivety in even the instigators of a lynch mob as a good man, it is clear dass seine Sicht immer schon voreingenommen und kompromittiert war; dass es, was noch schwerer wiegt, schwierig bis unmöglich ist, eine Erzählposition außerhalb des Konflikts zu finden.
The Last Thakur ist eine digitale Augenweide, der Regisseur Sadik Ahmed selbst zeichnet für die High-Definition-Kameraarbeit verantwortlich. Seine hochauflösenden Bilder staffeln die Beziehungen innerhalb der Dorfgemeinschaft in die Tiefe malerischer Räume und artikulieren sie über Schärfenverlagerungen und rasche Schwenks. Ermöglicht wurde der Film von einem neuen Förderprogramm des Verleihers Artifical Eye, der Absolventen der britischen National Film and Television School (NFTS) die Mittel für ihr Langfilmdebüt provides.
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